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STREET by James Nares

Rarely am I very interested in video installations at art museum.  A few, here and there, have held my attention for a few moments.  Usually I think that they are strange.

Saturday afternoon I wandered into the new CAP gallery at the Joslyn Art Museum in downtown Omaha and ended up sitting there for more than an hour.

CAP is short for Contemporary Artists Project Gallery, and you can read about the new gallery's goals in today's Omaha World-Herald.  A small space currently set up as a screening room, with Le Corbusier-style black couches.  I nestled into the corner of the front couch, the only one open when I arrived in the room, and was quickly mesmerized.

STREET is only 2 minutes and forty seconds of film slowed down to run just over one hour.  In 2011 the filmmaker drove along the streets of New York City filming the people.  Initially I was enjoying the people watching aspect, when suddenly a face stood out for its emotional tone, and I realized that there were deeper layers of meaning in the art work.

I was struck by how aesthetically satisfying it was.  The colors of people's clothes, on food trucks, and in store windows created beautiful image after beautiful image.

And in scene after scene one sees a full range of human emotion--from a child running with glee to a family hugging and crying.  One is struck by how many different emotions can exist on one street corner at the same time.  I was also reflecting on how none of the people were really seeing each other, and yet we were seeing them together and that together they made a work of art.

I also realized that I can never see New Yorker's looking up again without thinking of September 11, 2001.

Nothing sinister occurs in the film.  I kept wondering if we would see someone fall or trip or some crime occur.  We don't.  

There are also moments of surprising artistry, as when the camera focuses in on a pigeon in slow-motion flight.

I highly recommend this work, which will be at the Joslyn till September 21.  Carve out an hour to go sit and watch and reflect upon our common humanity.


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