My rating: 4 of 5 stars
A really fun read. Gioia advances a few key theses in this history of music--that music is deeply connected to magic, that music is deeply connected to violence, that musical innovations are created by outsiders and eventually mainstreamed by the power structure. The latter means that he doesn't accept some of the standard histories that claim some prominent political or church leader introduced some innovation and he goes looking for where the ideas really came from. He's got a thesis as to why drums were not prominent in early country music, and it ties back to the prehistoric move from hunting to herding cultures. He defends universal aspects of music (arguing with ethnomusicologists) and often the common thread that connects geographically diverse cultures with similar music is the animals they kept. This is full of fun, provocative ideas and stories.
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